FICHIER GUITAR PRO v4.06CRock Discipline (Complete) John PetrucciRock Discipline DVD John PetrucciDecember 3, 2002 johnwhite68'&If you like it, buy the book, I did...                                                          C                  Track 1@;72-(Track 2@;72-(Track 3@;72-(Tfade in  A.H. (8va)(dd< <dd<d@@ /.*Tonality implied by rhythm section throughout>@@@@@ (  ) @ @@ @`$ INTRO MUSIC@( @  @( @@ @( @ @ @@@ "   (@@@  <@     (    ( "  @@< @`   ((@@@A(       (     @@ @  @(@ @ @(22<@ @4@<@ @(@@@(@@  ( @@@ @P.M.(   ( (  @@(@@@ <@(   (  P.M. ---""  semi harm(@@@4(   (  (    ( @@ ( ((@ <     @@4  @ *dd<d " <@@@ <@@ @   (  (22<2(      (dd<d@@  grad. release44      (    P.M."@@@"(    (         @"@@@( @@   @  @ @ @  @@ @( @@ @   @      (@@@  >@      @   @(@   @ @@@ @  @( @     @          (    @@         ( @  @(@  `  @@@ @ @ @     (        @@(   (  (  (  (  @@( @  4      @@@  * @   "    * @@@  > @ "" hold------} (   @  @ @ @( @"@@  (@@        (      (  @@ (               (         @@(@( @(@  * @ @@   @  @ @*dd<d@ @@ @6@ @  @        *@ 4 (  @@  @    @( @    @  @ @(@@ @@ @@(@ @   (  @  ( @  ( @@@  ( @  ( @  (  @  (   @     @@@   (   (                    @@       (  @ ( @ (  @ (   @ @@ (   @  ( (@        (@@   @  @   * @ @@ < @"< ( @  @  @  @      @  @  @  @      @  @  @  @      @@ @* P( @ @  @  @@  @@@(@@@<@@"@  @  @  @  @      @  @  @  @     @@ @  @  @  @      @  @  @  @      @  @  @  @      @  @  @  @      @@ @  @  @  @      @  @  @  @      @(:< @4 @  @  @@ (dd<d@                     (  @@ 4  @(  @  (dd<d@  @  (dd<d@  @  (dd<d@  @  (dd<d@  @ @@  (dd<d@  @  (dd<d@  @  (dd<d@   (dd(K<2 <d2d-K72< @@  <     ( <    (   ( dd<d    @@       ( <( @0x       @  @(ddd,K52<@"P4 @@   4     ( @  4    @@  ( @  4     @ " 044     @@ *   # #""Hi, my name is John Petrucci..."  ( @@@@` @  (@(@@ $w/bar (next 2 bars)@4(@( @@@@< @        @@   0  "  tremolo bar2<   4    (      @@ "              @@@           ( @(@@@ 4              @@ 4          (@@@ 4         (  @@             (@@@64                                    @@                                                @@                                                @@                                                @@                                                @@                                                @@                                                @@                                       (-<@@ 4 4       (  @ @@  @(@  @ @ @ @(dd<d@  @  @  @ @@ @4 `(ddd(<  @4 @(ddd(< @4 @(ddd(< @4 @(222-< @4@  @ @ @@  @         grad. release*ddd-<<ddd-< <@ wide vibrato(@@@6<         @  @ @  @ @ @@ @  @  @  @  @  @   @          @@(      ((       @@ `       (         @  @ (@(@@@ @<@ @  @  @  @          @  @  @  @ @@         @  @  @  @  @  @  @  @                       (dd<d  @@  (%d-d3d< " ( 4  4  <         @@                      (   ( ddd-< < 222-<  4 @@    * @   A    @  @  @   (    @@ (        )* @  4   (      "@@04                     (   @@(    ( @ DFade@@@@@ Example 1 (Part 1)e WARM UP EXERCISES (Left Hand)       @        @   Tempo = 20      @        @  @@ chromatically downe (Descend pattern examples 1-3            the neck)s 1-3n le                       @@                                @@@@@ Example 1 (Part 2)e                                 @@                                @@      @        @        @        @  @@@@@ Example 1 (Part 3)e       @        @        @        @  @@                                @@                                @@@@@ Example 1 (Part 4)e                                 @@                                @@      @        @        @        @  @@@@@ Example 2 (Part 1)e x     x     x    x    @@<     <     <    <    @@                  @@@@@ Example 2 (Part 2)e x    x    x    x    @@<    <    <    <    @@                @@@@@ Example 3 (Part 2)e     @      @       @      @ @@    @      @       @      @ @@    @      @       @      @ @@@@@ A<p Example 4nd) Example'&PART II WARM UP EXERCISES (Right Hand) p p  EXERCISES UP 2)e  p@ @@@p   p p p @@C p32Increase Tempo As Confidence and Accuracy Increase  p   p  p @ @@@p    p  p   p  @@E   p  p  p  p @  @@@p   p  p  p  @@C#  p   p   p   p @  @@@p    p   p   p   @@G p p p p@ @@@p  p p p @@ B  p  p  p  p@ @@@p   p  p  p  @@F#p p p p@ @@(Increase Tempo Each Repeat)@p  p p p @@@@@ Example 4nd) Example"!Picking: Variations 1-4 Alternatep    (Variations)xamplep p p(Up,Down / Down,Up) @@p  p p @p@ @@@p @  p  p p @@p p p p @@@@@ " Example 4 Down,Up) p  " (Variation 2)wn,Up)   p     p     p    @@ p      p     p     @p @  @ @@ @p @  @  p      p     p    @@ p     p     p     p    @@@@@ Example 4n 2)wn,Up) p   (Variation 3)wn,Up)  p   p   p   @@p    p   p   @p@ @ @ @@@p @  @  @  p    p   p   @@p   p   p   p   @@@@@& Example 4nd) Example Not in Bookp    "  (Variation 4)ample    p         p         p        @@ p          p         p         @p @  @  @  @ @@ @p @  @  @  @  p          p         p        @@ p         p         p         p        @@@@@& Example 4ion 4)ample Not in Bookp  " (Variation 5)4)ample        p           p           p          @@ p            p           p           @p @  @  @  @  @ @@ @q @  @  @  @  @  p            p           p          @@ p           p           p           p          @@@@@ Exercise 5zation of PART III WARM UP EXERCISES    @ @     @@ (Synchronization of Both Hands)   @ @    @@   @ @    @@   @ @    @@   @ @    @@@@@ Example 5 ands)n of @   (Part 2)ands)n of         @  @@@            @  @@@              @  @@@              @  @@@@@ Example 6)ands)n of    (Part 1)ands)n of @  @    @@  @  @    @@  @  @    @@  @  @    @@  @  @    @@@@@ Example 6 (Part 2)f @         @   @@@          @    @@@            @    @@@            @    @@F Example 7 (A Major '&PART IV TECHNIQUE (Speed and Accuracy)@@   Scale) (A Major       @@      @ @ @@@@@ Example 8 (Part 1)  Tempo = 66Bpppp@@pppp@@@@@  Example 8 (Part 2) p p p p @@p  p  p@ @x@@@@@@ * Example 8 (Part 3) p( (  p     p     p    @@  p     p     p     p    @@q@@@@@@@  Example 8 (Part 4) p   p   p    p@ @ @ @@ p   p   p   p   @@p   p   p  @ @p@   @@ p   p   p   x@@@@@@* Example 8 (Part 5) p( (        p            p @  @  @      p          @@ p           p           p            p @  @  @     @@ p           p          x@@@@@@@@  Example 8 (Part 6) p       p       p       p       @@p       p       p@@@@@@@ Example 9 (Part 6) p   p   p   p   @@p    p      p     @p@ @  @  @@@p @  @  @  p      p      p      @@p     p    p    p    @@p@@@@@@@ Example 9 (Part 6) Accent on Beatp    (Development 1A)6)   p     p     p     @@p      p        p       @p @  @  @  @@@p @  @  @   p       p       p       @@p       p      p      p      @@p@@@@@@@ Example 9ent 1A)6)  Tempo = 176p     (Development 1B)  (Development 1B) 1B) p     p     p     @@p    p    p   @p@ @ @ @@@p@ @ @  p   p   p   @@p   p    p    p    @@@@@ Example 9 opment 1B) Tempo = 184p   (Development 1C) 1B) p   p   p   @@p   p    p   @p@ @ @ @@@p@ @ @  p   p   p   @@p   p   p   p   @@p@@@@@@@ Example 9ent 1B) 1B) Tempo = 200p   (Development 1D) 1B) p   p   p   @@p   p    p   @p@ @ @ @@@p@ @ @  p   p   p   @@p   p   p   p   @@p@@@@@@@ Example 9ent 1D) 1B) Tempo = 170p   (Development 2) 1B) p   p   p   @@p   p   p   p   @@p   p    p   @p@ @ @ @@@p@ @ @  p   p   p   @@p   p   p   p   @@p   p   p   p   @@p   p   p   p   @@ p   p    p   @p@ @ @ @@@p@ @ @  p   @p@ @ @  p   @@@p@ @ @  p   p   p   @@p   p   p    p     @@p    p   p   p   @@p   p   p   p   @@r@@@@@@@ Example 9ent 2) 1B) Tempo = 170p    (Development 3) 1B)p   p   p   @@p   p   p   p   @@p   p   p   p   @@p   p    p   @p@ @ @ @@@p@ @ @  p   p   p   @@ p   @p@ @ @ @p@ @ @  p   @@p   p   p   p   @@p   p   p   p   @@p   p   p   p   @@p   p   p   p   @@p    0(@22<2(22<2 0>@60  @@0  @@@@@@ Example 9ent 3) 1B) Tempo = 208p p (Development 4) 1B) p p @@p p p p @@ p     p     p     p    @@ p     p     p     p    @@p   p   p   p   @@p   p   p   p   @@p   p   p   p   @@p   p    p   @p@ @ @ @@@p@ @ @  p   p   p   @@p   p   p   p   @@@(dd<d@ @4@  (dd<d@@   (22<2          (dd<d@@@(@(@@@@@@6 Example 10 t 4) 1B) Tempo = 100dp           p           p           p          @@ p           p            p     @  @  @   p     @  @  @ @@  p     @       p     @  @  @  p           p          @@ p           p           p           p          @@ p           p           p           p          @@         (@(@ @@@@@ 6 Example 11 t 4) 1B) Tempo = 60<p    " (Fragment 1) 4) 1B)p     p     p    @@@@@ " Example 111) 4) 1B)p    " (Fragment 2) 4) 1B)p     p     p    @@@@@ $Example 11 (Fragment 3)p     p     p     p    @@@@@ $Example 11 (Fragment 4)p     p     p     p    @@@@@ $Example 11 (Fragment 5)p     p     p     p    @@@@@ $Example 11 (Fragment 6)p     p     p     p    @@@@@ $Example 11 (Fragment 7)p     p     p     p    @@@@@ $Example 11 (Fragment 8)p     p     p     p    @@@@@ $Example 11 (Fragment 9)p     p     p     p    @@ $ p     p     p     p    @@@@@Example 11 (Fragment 10)p   p   p   p   @@@@@Example 11 (Fragment 11)p   p   p   p   @@@@@$Example 11 (Fragment 12)p           p           p           p          @@@@@$Example 11 (Fragment 13)p           p           p           p          @@@@@$Example 11 (Fragment 14) p            p            p            p          @@@@@$Example 11 (Fragment 15)p         p         p         p        @@@@@$Example 11 (Fragment 16)p         p         p         p        @@@@@$Example 11 (Fragment 17)p         p         p         p        @@@@@$Example 11 (Fragment 18)p         p         p         p        @@@@@'&Example 11 (Development 1) (chromatic)                @@                @@                    @@@@@ (diatonic)                @@                @@                    @@                              @@ @<    @   @@ @@ Example 11 ) 4) 1B)Freely, Tempo = 58 -200:     (Development 2) 1B)            @@@@@ and then backing off32play free time slow, gradually increasing speed,                  @@     @@@@@@@ Example 11 cking off Tempo = 84T    (Development 3) off                 @@%$jog, sprint, jog to build stamina...                @@             @@        @@                        @@                        @@                        @@                @@             @@   (@ @@@@@@"!Example 11 (Development 4) Freelyp   p   p   p   p   p   @@ p           p           p          @@p       p       @@ p       p       p       p       @@ p       p       p       p       @@ p         p         p         p        @@ p         p         p          @@ p           p           p          @@ p           p           p          @@ p           p           p           p          @@ p          p   p   @@p   p   @@p       p       p       @@ p         p         p       p       @@ p           p           p          @@ p         p        @@ p   p   p   @@      (@@@ "@@A@@$ Example 12p           p           p           p           @@ p           p           p           p           @@  p     @  @  @  @p @  @         p           p          @@ p           p           "@@@@@-,Example 13 (Combines Fragments 10,11,15,16 )p    p    p      p   @@p    p    p    p     @@p    p    p    p     @@p     p      p    p      @@ p    @ @p @  @  @  p       p @ @  @  @@@p @  @  @ @p @  @  @ @p @  @  @ @p @  @  @ @@@p @  @  @ @p @  @  @ @p @  @  @ @p @  @  @ @@@p @  @  @  p       p @ @  @  @p @    @@ p      p    p       p     @@p    p    p     p    @@p    p    p     p    @@p    p    p     p    @@@@@#"Example 14 (Using Fragments 17,18)p    p    p    p     @@p    p    p    p    @@p     p    p    p    @@p    p     p    p    @@ p    p    p @ @ @  @p@    @@p   @ @p@  @ @ p    p @ @ @  @@@p@    p     p    p    @@p     p    p    p    @@    "@@@@@& E not repeated whenfA Major Scale (5th Position)              "  String Skippinggnf                @  @  @  @( @@@$-,A Major Scale (5th Position) String Skipping                              $ (Not in Book)            @  @ (@( @@@@  @@@/.Example 15 (one of the fragments used earlier)@p @  @  @ @p @  @  @ @p @  @  @ @p @  @  @ @@@p @  @  @ @p @  @  @ @p @  @  @ @p @  @  @ @@@p @  @  @  p       p     p    @@ p      p     p    p    @@p    p     p    p    @@p    p     p    p    @@ "  @@@@@@B Example 16kippinggnf@@TA7b5dA(      @@Dm7 * @ ( @@    (      @@  >222-<  <222-<     @@ ( (   ( (@  ( @@ BbMaj9  *@ (222-< (22<2"A @@ ( * ( " (   @@   @  (    (  (       @@(         (   ( dd<d@     ( dd<d @   (    @@$Gm11 (        (    (          ( <             @@            @@ A7sus                                                           @@A7                                            @  @  @  @  @(dd<d@@ Dm7@<dd<d@(dd<d @  @< @  @(@     )@  @@            ( @  (       @@ (    (       (          @ @@@(@@  @(dd<d@ @(dd<d@   grad. release@(@dd<d@@ @ dBbMaj9 @  @  @  @(     @   (dd<d@@ <dd<d                            @@ @   (dd<d   4 ( @dd<d  @   (          ( @@@              @(  @( @  @  @  @ (@(@@ @@ Gm11@<@@  @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @ @@  @   @   @   @           @   @   @   @ @           (22<2  <@           (dd<d @@ A7sus <@  4                              @@A7  @    (@22<2"@(dd<d(dd<d     @   @@$Dm7      (@ @ @@    @  @ @(dd<d@4@@ @4 @4 @  @(   (            @@     (           (22<2  4  @  @ (@(@@@@ @( @@@( @(  @(  @(  @        (  (      ( @@@BbMaj94 @  @ @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @  @@ @  @  @  @            @  @  @  @  @                                      @@    (    (  (                      ( dd<d        @@( 22<2  4   (  * @   `      (  (   @@ Gm11@) @ @" (  @  @  @  @* @(@  @@ @       ( ( @dd<d   "@@A7sus @@@ (   (  ( @@@ DA7 ( ( (@@(("@@@DDm7( ( *@ @@6@@@@@@@ PART VI RIGHT HANDnfBm !!!!!!@@ TECHNIQUEIGHT HANDnf%$(Alternate Inside Picking Arpeggios)      @@     GMaj(#11)  @@      @@A       @@       @@A#dim       @@        @@Bm           @@           @@ CMaj(#11)            @@            @@C#dim            @@            @@D           @@B7/D#          @@Emin       @@       @@ FMaj(#11)      @@      @@F#dim      @@      @@      @@E7      @@Am      @@      @@  *@@@@@@ ,"!G Major Triad (difficult picking)@  (@ ( ( ( (@ (@  (@ ( ( ( (@ @@@@@ , Example 18 @  (@ ( ( $(Variation: G,Bm,Am,Em7)        @    @   @@ $G@          @  @  @        @ @@ $Bm@  @                @  @  @  @@ $Am        @  @  $Em7@  @        @ @@@( @@@@@@@ Example 19GHT HANDnf/.PART VII LEFT HAND TECHNIQUE (Legato Playing) P(( (( (Fragments 1 & 2)Dnf(( (((( (((( ( @@((((((((((((((( @@$Example 19 (Fragment 3)(  ( ( (  ( ( (  ( ( (  ( ( (  ( ( (  ( ( (  ( ( (  (  @@$Example 19 (Fragment 4)( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( (  @@, Example 19 (Fragment 5)(  (    ( (  (  (   (     (   (  (  (    ( (  (  (   (     (    @@$ Example 19 (Fragment 6)(  (     (  (  (  (     (  (   (  (     (  (  (  (     (   @@@@@Example 20 (free time) ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( @@ ( (  ( ( ( (  ( ( ( (  ( ( ( (  ( @@ ( (  ( ( ( (  ( ( ( (  ( ( ( (  ( @@ ( (  ( ( ( (  ( ( ( (  ( ( ( (  ( @@ ( (  ( ( ( (  ( ( ( (  ( ( ( (  ( @@ ( (  ( ( ( (  ( ( ( (  ( ( ( (  ( @@ ( (  ( ( ( (  ( ( ( (  ( ( ( (  ( @@ (  (  (  ( (  (  (  ( (  (  (  ( (  (  (  @@  (   (  (  (   (  (  (   (  (  (   (  (  (   (  (  (   (  (  (   (  (  (   (  @@  (   (  (  (   (  (  (   (  ( (  ( ( @@  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  @@  (  (  (  (  (  (  (  (  (  (  (  @@  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  (  @@  (  (  (  (  (  (  (  (  (  (  (  @@  (  (  ( ( ( ( (  (  (  ( ( ( ( (  (  (  ( ( ( ( (  (  (  ( ( ( ( (@@  (  (  ( ( ( ( (  (  (  ( ( ( ( (@@  (  (  (  (  (  (  (   (  (  (  ( @@ *  (   * ( (@@! <  @@@@@@$ Example 21( ( (  ($"!(fragments studied in Example 19)( (   ( ( (  ( ( (   ( ( (  ( ( (   @@ ( ( (  ( ( (    (  (   (   (   (  (    @( @(  @(  @(  @(@@ @(  @(  @(  @(  @   (   (   (   (   (   (    (  (  ( (  (  (    (    @@ ( (  (  (    (  (  ( (  (  (    (  (  ( (  (  (   @@ *@@@A@@ 3 note per string nfA Major scale (5th position)         ascendingstring nf             @ @@@  @" @@@@ 3 note per string nfA Major scale (7th position)           descendingtring nf                @  @@@  @" @@@@@@@$Example 22 (Freely)( ( ( ( ( (   ( ( ( ( ( (   ( ( ( ( ( (  @@ ( ( ( ( ( (    (  (  (  (  (  (   @( @( @( @( @ @@ @( @( @(  @( @   (   (  (  (  (   (   (  ( ( ( (  (   (   @@ ( ( (  (   (  ( ( ( (  (   (  ( ( ( (  (  @@ ( ( (  ( ( (   ( ( (  ( ( (   ( ( (  ( ( (   @@ ( ( (  ( ( (    (  (  (   (  (  (   @(@(@( @ @@ @( @( @(  @( @   (   (  (  (  (   (   (  ( ( ( (  (   (   @@ ( ( (  (   (  ( ( ( (  (   (  ( ( ( (  (  @@ ( ( (  ( ( ( ( ( ( ( ( ( ( ( (@@(dd<d >@ @@@@@@ Example 23A tring nfEm (E Aeolian Scale)(((((( (((((((((@@(( (((((( ((((((@@(( (((   ( ( (  ( ( (  @(@(@( @@@(@(@(@( @( @( @(@( @   @ @   @ @( @( @(@( @@@   @ @   @ @( @( @(@( @(  @(@(  @(@( @( @(@  @@@( @( @(@(@(@( @(@  (  ( ( ( (  (   @@(((( (((((( (((((@@( ((((((((((( ((@@((((("@@@@@@ Example 23B tring nf Tempo=184((((((   ( ( ( ( ( ( ( ( ( ( (  @@((((((   ( ( ( ( ( ( ( (  ( ( (   @@ ( ( (  ( ( (   @( @( @(  @( @( @( @(  @(  @(  @( @(  @( @@( @  @(  @( @(  @(  @( @(  @  ( @  @  ( @  @(  @(  @( @(  @  ( @  @  ( @ @@@( @( @(@( @( @(  @( @( @( @(  @( @   (   (  (  (  (   (  @@( (((( ( ( ( ( ( (   ( ( ( ( ( (  @@(((((( ( ( ( ( (   ( ( ( ( ( (  @@ hold....} `  @@@@@ Example243B tring nf"!PART VIII - RIGHT HAND TECHNIQUE d     @  (Sweep Picking))g nf@         @  @     @@   @ @       @ @    @@   @ @       @ @    @@   @ @       @ @    @@   @ @       @ @    @@   @ @       @  @     @@      @ @      @@@@@@  Example 25                      @@                @@                @@@@@ Example 26 tring nf Tempo = 176   @ @        @  @      @@     @ @         @  @     @@@@@ Example 27Aing))g nfD     @ @(@  @@     F#    @@ @ @(@     @@E/G#      @ @(@@@      A  @@   @ @(@   @@  "@@@@@> Example 27Bing))g nf D/F# d ( ( ( ( (@ (@( @ ( ( ( ( ( $F#          @  @( @           @@$E/G#          @  @( @           $A          @  @( @           @@V (Building Chords) nfPART IX - CHORDAL TECHNIQUE d@@@@@@@@@@@ Example 28Ahords) nfB52   A5   D5/A<    G5~      @@E5>     @@R Example 28Bhords) nfd@@B  (Variations)@@1. B5  @@2. B5   @@ 3. B5/F#   @@@@@@@@ Example 28C iations)(5th in the Bass)   @@   @@   @@   @@@@@@@@ Example 28D iations)(Adding the 9th)2           @@D$#Understanding Scale/Chord Relation @@@@@@@@@@@ C major (Ionian)ons)R2 2 3 4 5 6 7 R (8va) @@@@@ C Ionian (chords andR2 3 5 7  tones &nd s))rds and9 11  extensions)tensions)13@ R@ @@@@@ C minor Aeolian andR2 2 b3 4 5 b6 b7 R @@@@@ C minor Aeolianions)R2 b3 5 b7   (chord tones &nds)9 11 b13@   extensions)R@ @@@@@  C Mixolydiansions)R2 2 3 4 5 6 b7 R @@@@@ C Mixolydian (chord 12 3 5 b7 9   tones & extensions)11 13@ R@ @@@@@@@@ Example 29 ng Scale/ C5 (1,5)d  @@@@@CMajor (1,3,5),   @@@@@C minor (1,b3,5),   @@@@@ Csus2 (1,2,5),   @@@@@ Csus (1,4,5),   @@@@@ Example 30 ng Scale/Cmaj7 (1,3,5,7)<    @@@@@Cmin7 (1,b3,5,b7)<    @@@@@ C7 (1,3,5,b7)<    @@@@@ Example 31 ng Scale/C (9) (1,3,5,7,9)<    @@@@@@@@Cm(9) (1,b3,5,b7,9)<    @@@@@Detc.@@ Example 32 ng Scale/C (11)l    @@@@@Cm11>     @@@@@ Example 33Ang Scale/      @@B Example 33Bng Scale/@@Am9|     @@Fsus2    @@Gsus2:    @@B Example 34Ang Scale/@@ Asus2  @    @ @@Bsus   @    @ @@Cmaj7   @    @ @@C#m7   @    @ @@D(11)        @@C(9)        @@Am(9)   @    @ @@Gsus2   @ D(9)/F#   @ @@F#m11   @    @ @@Fsus2        @@Esus   @ E   @ @@F#7(11)   @    @ @@A(9)   @ B(11)    @ @@C#m7|     @@B Example 34Bng Scale/@@@@@ A5ample 34Bng Scale/Fig1   @@ Asus2le 34Bng Scale/|     @@ B5us2le 34Bng Scale/Fig2  @@ Bsus4le 34Bng Scale/|     @@ C5us4le 34Bng Scale/Fig3  @@ Cmaj7le 34Bng Scale/|     @@ C#5j7le 34Bng Scale/Fig4    @@ C#m77le 34Bng Scale/|     @@ D5/A7le 34Bng Scale/Fig5    @@ D(11)le 34Bng Scale/<    @@ C511)le 34Bng Scale/Fig6  @@ C(9))le 34Bng Scale/<    @@ A59))le 34Bng Scale/Fig7  @@ Am(9)le 34Bng Scale/|     @@ G5(9)le 34Bng Scale/Fig8   @@ Gsus2le 34Bng Scale/~      @@ D5us2le 34Bng Scale/Fig9   @@ D(9)/F# 34Bng Scale/~      @@ F#5)/F# 34Bng Scale/Fig10   @@ F#m11F# 34Bng Scale/~      @@ F5m11F# 34Bng Scale/Fig11   @@ Fsus2F# 34Bng Scale/>     @@ E5us2F# 34Bng Scale/Fig12   @@ Esus2F# 34Bng Scale/~      @@ E5us2F# 34Bng Scale/Fg13   @@ E5us2F# 34Bng Scale/~      @@ F#5s2F# 34Bng Scale/Fig14   @@ F#7(11) 34Bng Scale/~      @@ A57(11) 34Bng Scale/Fig15  @@ A(9)11) 34Bng Scale/~      @@ B59)11) 34Bng Scale/Fig16  @@ B(11)1) 34Bng Scale/~      @@ C#51)1) 34Bng Scale/Fig17  @@ C#m7)1) 34Bng Scale/|     @@@@@@@@@@@@@@@@@@@@@@@@@@T Example 35 D Time 00:38D Time 00:38 Asus2        G/B(@  C(9)   @  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2        G/B(@  C(9)   @  D(9)/F#(@ Gsus2   @ Fsus2    @    D(9)/F#(( (@( Gsus2 (( Fsus2(( ((  D(9)/F#(@ Gsus2   @ Fsus2    @   Asus2       G/B((( C(9)((  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2       G/B((( C(9)(( D(11)<""""((((  D(11)(( (((((( (( D(11)<""""(((( C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7       A(9)       C#m7    F#7sus  (  B5     C#m7(( (@( F#7sus((@( ( B5(( C#m7    F#7sus  (  B5    C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7       A(9)       C#m7    E5   " B(11)( ( ( ( ( (  C#m7(( (@( E5 (@( B(11)( ( (@( C#m7    E5   " B(11)( ( ( ( ( ( C#m9    E5   " B(11)( ( ( ( ( (  C#m9(( (@( E5 (@( B(11)( ( (@( C#m9    E5   " B(11)( ( ( ( ( ( Asus2        G/B(@  C(9)   @  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2        G/B(@  C(9)   @  D(9)/F#(@ Gsus2   @ Fsus2    @    D(9)/F#(( (@( Gsus2 (( Fsus2(( ((  D(9)/F#(@ Gsus2   @ Fsus2    @   Asus2       G/B((( C(9)((  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2       G/B((( C(9)(( D(11)<""""((((  D(11)(( (((((( (( D(11)<""""(((( Asus2        G/B(@  C(9)   @  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2(@@ G/B(@ DC(9)( @  D(9)/F#(@ Gsus2   @ Fsus2    @    D(9)/F#(( (@( Gsus2 (( Fsus2(( ((  D(11)/F#  @  DGsus2( Fsus2     Asus2       G/B((( C(9)((  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2(@ G/B(   ( C(9) (   D(11)<""""((((  D(11)(( (((((( (( D(11)  ( (dd<d @   (  ( @  C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7 * @(    A(9)  (       C#m7    F#7sus  (  B5     C#m7(( (@( F#7sus((@( ( B5(( C#m7(    (  F#7sus    (   B5   C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7(@ (   A(9)  (     (      C#m7    E5   " B(11)( ( ( ( ( (  C#m7(( (@( E5 (@( B(11)( ( (@( C#m7(     (  E5@  @ B(11)@(dd<d@ @(dd<d C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( (C#m7@ @<@  @(@@ A(9) (  @   @(@   @  @ @  C#m7    F#7sus  (  B5     C#m7(( (@( F#7sus((@( ( B5(($C#m7@(  @( @    @      F#7sus (  (   (    B5      C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7   (dd<d<@dd<dA(9)  ((   C#m7    E5   " B(11)( ( ( ( ( (  C#m7(( (@( E5 (@( B(11)( ( (@( C#m7  (  E5 ( B(11) @(@@  Asus2        G/B(@  C(9)   @  Asus2(( (@( ( G/B(( ( C(9)( (Asus2 *dd<d  4G/B) ( ddd-<   C(9)  (   D(9)/F#(@ Gsus2   @ Fsus2    @    D(9)/F#(( (@( Gsus2 (( Fsus2(( ((  D(11)/F#    (   Gsus2( ( ( @Fsus2"<   (      Asus2       G/B((( C(9)((  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2( @@G/B(       (   C(9)(     D(11)<""""((((  D(11)(( (((((( (( D(11)  ( 22<2 (@   (dd<d @  @  Asus2        G/B(@  C(9)   @  Asus2(( (@( ( G/B(( ( C(9)( (Asus2@(dd<d (222(<  ( < ( 22<2G/B   (     C(9)    ( @  D(9)/F#(@ Gsus2   @ Fsus2    @    D(9)/F#(( (@( Gsus2 (( Fsus2(( ((  D(11)/F#(@( ( Gsus2    Fsus2( @(@(  Asus2       G/B((( C(9)((  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2< (ddd-<  G/B(< ( (  C(9) (  D(11)<""""((((  D(11)(( (((((( ((D(11)  (   (@  @ C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( (DC#m7 ( "A(9)  < (  C#m7    F#7sus  (  B5     C#m7(( (@( F#7sus((@( ( B5(( C#m7* @( F#7sus ( B5 4 ( C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7  (   A(9)( ( ( C#m7    E5   " B(11)( ( ( ( ( (  C#m7(( (@( E5 (@( B(11)( ( (@(C#m7 (   E5(  B(11)(@ C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( (C#m74 (  A(9)((  ((  (( C#m7    F#7sus  (  B5     C#m7(( (@( F#7sus((@( ( B5((C#m7  ((  ((F#7sus  ((  ((B5  (( C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7  (( ( @ (A(9) (   @    @   C#m7    E5   " B(11)( ( ( ( ( (  C#m7(( (@( E5 (@( B(11)( ( (@( C#m7@( @  @( @ E5 (  B(11)@ @(@@(@ Asus2        G/B(@  C(9)   @  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2@(@@@( @ G/B@(@  @( C(9)@  @    D(9)/F#(@ Gsus2   @ Fsus2    @    D(9)/F#(( (@( Gsus2 (( Fsus2(( ((D D(11)/F# (  @  @(@   Gsus2@   (   Fsus2 (      (  ((  Asus2       G/B((( C(9)((  Asus2(( (@( ( G/B(( ( C(9)( (Asus2  (           (  G/B     C(9) @   D(11)<""""((((  D(11)(( (((((( ((D(11) (dd<d0(ddd(<(ddd(<0     (@ (@ < Asus2        G/B(@  C(9)   @  Asus2(( (@( ( G/B(( ( C(9)( ( DAsus2 (    G/B        $C(9)       D(9)/F#(@ Gsus2   @ Fsus2    @    D(9)/F#(( (@( Gsus2 (( Fsus2(( (( D(11)/F#                      $Gsus2            $Fsus2                         Asus2       G/B((( C(9)((  Asus2(( (@( ( G/B(( ( C(9)( ( Asus2   (   4@*dd<d@ G/B@4@(@ C(9)@(@ (  D(11)<""""((((  D(11)(( (((((( ((D(11)@  ( @  ( @   @   @    ( dd<d@ ( dd<d@ C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( (DC#m7 (     ( A(9)  (@   C#m7    F#7sus  (  B5     C#m7(( (@( F#7sus((@( ( B5(( C#m7  ( 222-<      F#7sus    (  B5     C#m7       A(9)        C#m7(( (@( ( A(9)(( (@( ( C#m7(   ( A(9) (   C#m7    E5   " B(11)( ( ( ( ( (  C#m7(( (@( E5 (@( B(11)( ( (@(C#m7 ( E5(  B(11)(@ C#m7       A(9)        C#m7(( (@( 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