FICHIER GUITAR PRO v4.06# Big Long NowNirvana Incesticide('Jacques Ruiz (JZ on www.mysongbook.com)please read notice.v1.0, 13 December 2004.JacquesRuiz@wanadoo.fr'&Guitar/Bass: use lot of strong reverb.:9Guitar: to make the ghost maj note in the chorus fret it >=but don't strum it intentionally; using a mini-barre for the 10three 6s makes it easier to get that ghost note.21Voice: not 100% accurate, especially the "slide" phrase in the choruses.76Lyrics: some people think he says "gray" not "green", >="interesting" not "in a string" etc... so the lyrics are not 76necessary accurate, thats just my version of them and 76it doesn't really matter since they are allegoric and mysterious :-)54Drums: tom rolls in post-choruses not 100% accurate either...d[Verse 1] It's not cold e-no-ugh. Pleas' put this side u-up. She is mo-vin' throu-ugh. Can we show our fa-ces no-ow? [Verse 2] I'm not in a stri-ing. She's not turn-ing gre-en. Shame-ful as it se-ems. Can we show our fa-ces no-ow? [Chorus 1] End-less climb. I am bli-i-i-ind. What can I hear? Co-lor bl-i-i-ind. Spea-king a phrase. Ins-tan-tly gro-o-o-own. oo-oo. I am blind. Wai-ting in li-i-i-ne. uh... uh... [Verse 3] It's not cold e-no-ugh. Pleas' put this side u-up. She is mo-vin' throu-ugh. Can we show our fa-ces no-ow? [Verse 4] I'm not in a stri-ing. She's not turn-ing gre-en. Shame-ful as it se-ems. Can we show our fa-ces no-ow? [Chorus 2] End-less climb. I am bli-i-i-ind. What can I hear? Co-lor bl-i-i-ind. Speak a phrase. Ins-tan-tly gro-o-o-own. Lord am blind. Why I am su-u--ure? (ure) (ure)P  " " G G                                                           bC Introÿ Pre-verse 1ÿ Verse 1ÿ Break 1ÿ Verse 2ÿ Break 2/Pre-chorus 1ÿ! Chorus 1ÿ! Post-chorus 1ÿ Pre-verse 3 (shorter)ÿ Verse 3ÿ Break 3ÿ Verse 4ÿ Break 4/Pre-chorus 2ÿ! Chorus 2ÿ! Post-chorus 2ÿ OutroÿGuitar@;72-(ÿÿÿÿÿ(add. guitar little fills)@;72-(ÿVoice@;72-(ÿBass+&!-(ÿÿDrums WÿDÿ(lots of reverb for all song)ÿ  @@Dþ(lots of reverb for all song)@( (((( (  @@@@( (  ( (  @@@@( (  ( (  @@0 0 ÿ"" @0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;@0;( (       @@0 0 ÿ"" @0;@0;@0;@0;@0;@0;@0;@0;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;@ ;( (  ( (   @@/.the bass line doesnt exactly follow the guitar        @  " 9 $@ .D4, (@ .B4, $@ .D4, (@ .( (  (( (   @@   10the open string is hard to hear but it is played@     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( ( ( (  @@   @    hint: to hear it @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (  (( (  @@$#play the song at a double speed :-)   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(1)( (  ( (  @@ÿ   1 bar line....   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (  ( (  @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(2)( (  ( (  @@ÿ      @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (  ( (  @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(3)( (  ( (  @@ÿ      @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (   (let ring)        < @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ . 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Aÿ ÿÿÿÿÿÿÿÿÿ (ÿ "@              (toms work not 100% accurate)j 1 9 - $ - - 0 $ - -  $ - - - $ - 0                        Pþÿÿÿÿÿÿÿÿÿÿþ (22<2               - $ - - 0 $ - -  $ - - - $ - 0                       (@ÿÿÿÿÿÿÿÿÿÿÿ* Aÿ               - $ - - 0 $ - -  $ - ( ( $ ( ( (( (  (( (   4@@Aÿ@        @  " 9 $@ .D4, (@ .B4, $@ .D4, (@ .( (  (( (   @@   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(1)( (  ( (  @@ÿ   1 bar line....   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (  ( (  @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(2)( (  ( (  @@ÿ      @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (  ( (  @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(3)( (  ( (  @@ÿ      @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (   (let ring)        < @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ . (let ring)               @@ÿ   ** break rythm variant **  "   (b4, 1 $@ .D4, (@ .B4, $@ .D4, (@ .                  @    (-<  (  ( b4, 1 $@ .D4, (@ .D4, ( ( ( ( (( ÿ     ( (  @ "@ÿ   @     @  b4, 1 $@ .D4, (@ .B4, $@ .D4, (@ .( (  ( (   @@þ   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(1)( (  ( (  @@ÿ      @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (  ( (  @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(2)( (  ( (  @@ÿ      @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (  ( (  @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .(3)( (  ( (  @@ÿ      @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (   (let ring)        < @  *-< @   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ . (let ring)               @@ÿ   ** same as Break 3 **  "   (b4, 1 $@ .D4, (@ .B4, $@ .D4, (@ .                  @    (-<  (  ( b4, 1 $@ .D4, (@ .F4, ( $@ .D4, ( ( ( (let ring)( ÿ               @ "@ÿ   @     @  b4, 1 $@ .D4, (@ .B4, $@ .D4, (@ .          @@ÿ   @  B4, $ ( $ & ( $ & ( $(1)         <6"""<    @@þ        " 9 $ $(((" 1 $B . $D . (@ .<                         @@@ @ ÿ@ @             B . $B . $ $D . (@ .B . $B . $ $D . (B . $         <6"""<    @@þ        " 9 $" 9 $" 9 $" 1 $B . $D . (@ .         @ÿ      @@(dd<d (approximation of the rythm...)@  ( (   @   @ÿ   B . $B . $ $D . (b . 1 $@ ( ( ( ( ( ((2)         <6"""<    @@þ        " 9 $ $(((" 1 $B . $D . (@ .<                         @@ @ @ ÿ@ @             B . $B . $ $D . (@ .B . $B . $ $D . (B . $         <6"""<    @@þ        " 9 $" 9 $" 9 $" 1 $B . $D . (@ .         @ÿ      @@(dd<d@  ( (   @   @ÿ   B . $B . $ $D . (b . 1 $@ ( ( ( ( ( ((3)         <6"""<    @@þ        " 9 $ $(((" 1 $B . $D . (@ .<                         @@@ @ ÿ@ @             B . $B . $ $D . (@ .B . $B . $ $D . (B . $         <6"""<    @@þ        " 9 $" 9 $" 9 $" 1 $B . $D . (@ .         @ÿ      @@(dd<d@ @  ( (       @ÿ   B . $B . $ $D . (b . 1 $@ ( ( ( ( ( ((4)         <6"""<    @@þ        " 9 $ $(((" 1 $B . $D . (@ .<                         @@@ @ ÿ@ @             B . $B . $ $D . (@ .B . $B . $ $D . (B . $         <6"""<    @@þ        " 9 $" 9 $" 9 $" 1 $B . $D . (@ .         @            @@(dd<d@ @  ( (       @    B . $B . $ $D . (b . 1 $B . $D . (@ .            @ÿ     " 9 $B . $ $D . (@ . ** rythm variant **                              Aÿ ÿÿÿÿÿÿÿÿÿ (ÿ "@ ** rythm variant **           j 1 9 - $ - - 0 $ - -  $ - - - $ - 0                               Pþÿÿÿÿÿÿÿÿÿÿþ (22<2             - $ - - 0 $ - -  $ - - - $ - 0                              (@ÿÿÿÿÿÿÿÿÿÿÿ* Aÿ          (  - $ - - 0 $ - -  $ -H . ( $H . (H . ((slown down gradually to t~60)ÿÿÿÿÿÿÿ<( (((( (  4@@Aÿ@   @     @  b4, 9 $B . $D4, (@ .B4, $@ .D4, (@ .( (  ( (   @@   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (   ( (  @@   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (@ .( (   ( (  @@   @     @  B4, $@ .D4, (@ .B4, $@ .D4, (D . (þ 0 @@þ0 þV4, 1 ( $þ (fade out)ÿÿÿÿÿÿÿÿÿÿ   @@þ ÿF   F   0;0;þ  @@þ þV